Hong Kong’s comedy kings Dayo Wong and Michael Hui reunite for a surprisingly serious-minded drama exploring family dynamics and the burden of tradition.

The last film from Tibetan director Pema Tseden takes on a mystical quality as a Chinese television crew arrives in Tibet to report on a farmer who has taken a snow leopard captive for killing his ...

In an era preoccupied with misinformation, a new book tells the story of how the moving image has been wielded to shape opinion and push British political interests. Here, author Scott Anthony looks ...

Elizabeth Sankey’s candid personal reflection on post-partum psychosis is at its strongest when it moves away from the fiction of witchcraft in cinema, and to the real-life experiences of the women ...

He was the kid trained by Bruce Lee in Enter the Dragon, but he went on to become one of Hong Kong’s most acclaimed action choreographers. Stephen Tung Wai looks back over 50 years of kung fu and ...

Cold War intrigue to a jazz beat, a box of serials, and our new favourite Christmas film. What are you watching this weekend?

With her new film Bird, Andrea Arnold gets closer to the spirit of magical realist literature than most movies have done, says Juana Albina, one of the critics on this year’s LFF Critics Mentorship ...

RRR may have blown the doors off internationally, but India has been making explosive action films for decades. Here are some of the best.

Unlock these great boxed-set experiences from more than a century ago: Louis Feuillade’s seductively modern tales of crime, conspiracy, technology and adventure.

Released in 2004, Hideo Kojima's covert ops thriller pulled from James Bond, Apocalypse Now and Escape From New York in its mission to elevate stealth action gaming.

Three Costa Rican women are incarnated into a 71-year-old woman in Antonella Sudasassi’s graceful exploration of ageing and sexual desire.

Tyler Taormina’s sprawling portrait of an Italian-American family’s festive gathering in Long Island makes for an enjoyably hazy Christmas movie.